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Brian De Palma demonstrates the drawbacks of a film-school education by overexploiting every cornball trick of style in the book: slow motion, split screen, long takes, and soft focus abound, all to no real point. Sissy Spacek's overacting would register only 2/10 in terms of horror, but it would score well on the laugh meter.
我不认识刘欣
2024-12-26 06:53